![]() ![]() ![]() And you try tiny little somethings with posture, the way the two of them sit and stand, because again you can't be too different otherwise the audience is going to go, 'Well it's clearly not him'. I also have this thing with John, the posh one, I'd slightly pretend I could smell something unpleasant to give that thin veneer of sneer. ![]() "There was a few mental things I did about attitude. So that is the fine balance I struggled with a little. It's making it believable enough that he could change places, but different enough from the other one. However, you also have to make enough subtle differences to know that there is a difference. "I think as an audience you have to believe that if they were to swap roles, people in their lives could feasibly believe they are the other person. ![]() "It's about two men in varying stages in their lives who through a very chance meeting, or an alignment of the stars, knock into each other, discover they are the exact doppelgänger of each other and after a very alcoholic night swap places in life with some thrilling and disastrous results."Īlthough the characters look the same, they're actually very different aren't they? What were the challenges of playing two people? Can you tell any readers who are unfamiliar with the novel a little bit about The Scapegoat? ![]()
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